“I have no hesitation in telling you that this is something you ought to hear before spending one thin dime on another cartridge of similar or higher price.” Art Dudley is clearly very impressed by Noriyuki Miyajima’s Saboten L, the cartridge with the cactus-spine cantilever.
German brand Dual was once the biggest turntable manufacturer in Europe and its name was on most music-lovers’ lips throughout the vinyl heydays of the ’60s, ’70s and ’80s. If you wanted a really good record player that was easy to use and highly affordable, then Dual was on your list. What Hi-Fi? has just reviewed the fourth generation of one of the brand’s classic 1980s decks. Continue reading What Hi-Fi? magazine comes over all nostalgic for Dual’s CS 505-4 deck
David Denyer PR is delighted to announce a new working relationship with London-based Townshend Audio.
Are optical cartridges new? Well, yes and no. They originally surfaced in the 1960s and were lauded for their high fidelity, but quickly disappeared again as they had a heat problem caused by the light source used at the time. By the time the requisite technology had sufficiently advanced (in the form of light-emitting diodes which produce little heat), audio was dominated by the rise of the CD and there was little interest in vinyl replay. But in 2013, Japanese company DS Audio began to revisit the technology.
Catch up with the latest R2R news and reviews over at The Reel-to-Reel Rambler, where David Denyer and fellow hi-fi journalists Ken Kessler and Neville Roberts delve into the world of open reel tape.
“Record cleaning only scratches the surface (pun intended),” writes Hi-Fi Plus’ Andrew Harrison. “Every aspect of vinyl replay can come in for scrutiny.” A good part of this comes down to the nature of the technology itself: “dragging a rock through a groove and translating these movements into electrical signals” is naturally prone to errors from rotation, geometry, mechanical movements, the ingress of dust and dirt, etc etc. Thankfully there’s “a vibrant world of vinyl beyond the turntable and the record itself” to help keep everything running smoothly, and Harrison has chosen a selection of some of the best.
When it comes to investing in your love of music, “sometimes, only the best will do,” says What Hi-Fi? in the magazine’s June issue. If you want (and can afford) the best sound possible, What Hi-Fi?’s reviewers offer their list of recommended high-end kit. And if it’s the full five stars you’re after, look out for Aesthetix’ Saturn series of amplifiers.
“Making adjustments to your system to release previously unheard excellence needn’t break the bank,” says Hi-Fi Choice. DS Audio’s ST-50 stylus cleaner is among the magazine’s top six picks for maximising audio performance.
Built to uncompromising standards, California-based Aesthetix Audio’s hi-fi components fall squarely into the elite separates camp. Only one thing was missing from the company’s stellar line up of ultra high-performance components: an integrated amplifier. Now, Aesthetix has “remedied this in grand style” with its first integrated model, the Mimas. Neil Gader of The Absolute Sound magazine is suitably bowled over.
Could Exposure’s XM series of hi-fi components be the gift that just keeps on giving? “When it comes to upping the versatility and value stakes, [Exposure’s] new XM CD player is really three rather fine products in one,” says Roy Gregory, in the latest issue of Hi-Fi Plus.