“The hush was akin to match point at Wimbledon,” writes Mark Craven in the magazine’s July issue. Exposure’s monoblock is “imperiously quiet”, allowing the music to “rise out of an invisible background.”

Jumping straight from Dusty Springfield’s ‘Dusty in Memphis’ to Bjork’s ‘Cocoon’ immediately showcased another of the many talents of the 3510. “That the disparate productions of these two songs both sounded utterly right is a testament to an amp with a revealing, musical character.”

“The 3510 mono
 was equally confident hammering out Ennio Morricone’s widescreen theme to Brian De Palma’s gangster classic ‘The Untouchables’, keeping hold of the timbral details of the brass and woodwind as the music soared.”

From Mahler’s Symphony No 5 to the fast and furious metal of Lamb Of God’s ‘Ashes Of The Wake’, from Aerosmith’s ‘Walk This Way’ to Alex Reece’s jungle track ‘Pulp Fiction’, and all through Gorillaz’ electro/hip-hop ‘Cracker Island’ featuring collaborations with everyone from Stevie Nicks to Adeleye Omotayo, the 3510 revealed its considerable abilities. “Records of very different genres, but leaving the same final impression: Exposure’s new mono amplifier is an absolute beauty!”

Download the full review: Exposure 3510 Mono

Find out more and locate your nearest UK dealer at exposurehifi.com